The Cinematic Underrepresentation of Black Women from the Civil Rights Movement

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dc.contributor Fresno Calleja, Paloma
dc.contributor.author Maymó Gallurt, Silvia
dc.date 2021
dc.date.accessioned 2021-09-29T07:14:04Z
dc.date.available 2021-09-29T07:14:04Z
dc.date.issued 2021-09-29
dc.identifier.uri http://hdl.handle.net/11201/155763
dc.description.abstract [eng] Cinematic representations of the civil rights movement are taken as sources of historical information. Although black women were actively involved in the fight, they have certainly been underrepresented in these films. This paper scrutinizes four movies about the movement (Malcolm X (Lee 1992), The Rosa Parks Story (Dash 2002), The Help (Taylor 2011), and One Night in Miami (King 2020)) with two objectives: to examine how women are presented when they are not the center of the story and how they are depicted when they are the protagonists. The analysis considers the roles and the environment that women occupy in the films, and it reveals that black women are cinematically nullified as activist members of their community, which translates into a supposed lack of participation. In contrast with male figures, the representation of black women marginalizes them from the movement by relegating them to the family environment, romanticizing their lives, and highlighting the negative outcomes of their actions instead of recognizing their accomplishments. ca
dc.format application/pdf
dc.language.iso eng ca
dc.publisher Universitat de les Illes Balears
dc.rights all rights reserved
dc.rights info:eu-repo/semantics/openAccess
dc.subject 81 - Lingüística i llengües ca
dc.subject.other Civil rights movement ca
dc.subject.other Activism ca
dc.subject.other Black women ca
dc.subject.other Cinematic representation ca
dc.subject.other Underrepresentation ca
dc.title The Cinematic Underrepresentation of Black Women from the Civil Rights Movement ca
dc.type info:eu-repo/semantics/bachelorThesis ca
dc.type info:eu-repo/semantics/publishedVersion


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