[eng] In 1963, two major works of tourist architecture were taking place in Majorca. On the
one hand, José Antonio Corrales and Ramón Vázquez Molezún were commissioned to
design new suites for Hotel Formentor, in the north of the island, which had just been
extended.
On the other hand, Federico Correa and Alfons Milà were in charge of the interiors of
Coderch’s Hotel de Mar. The project involved all spaces –from rooms to the bar– and
all possible scales –from the stage of the dancing room to the vents.
Though both projects are quite unknown, especially the one in Hotel Formentor, they
are major examples of hotel interior design and two of the few cases in the Balearics,
because this discipline is often considered as a second–class activity by architects,
promoters and historians.
The paper aims at recovering these projects that no longer exist. The first one has been
recently demolished and the second one has undergone several changes from the
1980’s on.
Through the analysis of the project plans, drawings, reports and photographs and also
by comparing them with other works by their authors, a study is proposed of shapes,
materials and colours used to arrange the furnishings and to create a homely feeling.
The conclusions point to a connection with the beginnings of industrial design in Spain
and an intimate relationship with other personal designs by the same architects. In
relation with the international context, Correa and Milà are closely linked to Italian
influences. But, above all, the soberness of both projects breaks with the overwhelming
decoration of some of the most popular American hotel designers, as Morris Lapidus,
and set them up as alternatives to the usual impersonality and excesses of leisure
interiors.