This essay addresses the insufficient attention paid in narrative theory to the
reformulated concept of space resulting from the spatial turn in the analysis of narrative
space. To address this lack of attention, the essay proposes the concept of “narrative
environments” as a new lens for conceiving of narrative space that distinguishes it from
setting. Narrative environments are the formal narrative expression of space: the
combined social contextualization and historicization and environmental imaginings
that have historically produced that space and are called forth in the narrative to build
narrative space and its interactions with other narrative components. These are
distinguished from “setting” in that the latter has been interpreted as textually selfsufficient, not relying on social and cultural knowledge. The article reviews recent
debates on narrative space and their branching into the fields of critical geography and
ecocriticism in order to bring the reenvisioned concept of space resulting from the
spatial turn into the discussion. The functioning of this new perspective on space is
illustrated through the analysis of island and ocean space and its narrative effects in
J.M. Coetzee’s Foe.