The Aesthetics of Social Class in La Grande Bellezza

Vilasís-Pamos, Júlia

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dc.contributor.author	Vilasís-Pamos, Júlia
dc.date.accessioned	2025-01-30T15:59:32Z
dc.date.available	2025-01-30T15:59:32Z
dc.identifier.citation	Vilasís-Pamos, J. (2024). The aesthetics of social class in La Grande Bellezza. Revista Internacional de Investigación y Transferencia en Comunicación y Ciencias Sociales, 3(1), 65-70.https://doi.org/https://doi.org/10.61283/nqgnmb72	ca
dc.identifier.uri	http://hdl.handle.net/11201/168359
dc.description.abstract	[eng] This essay introduces Jacques Rancière's philosophical ideas and analyzes Paolo Sorrentino's La Grande Bellezza (2013). It explores the film’s cinematic aesthetics and the system of distances, linking Rancière’s concept of the sensible world with the film’s portrayal of the Italian upper class. The discussion addresses the dual structure of beauty and societal critique, the redistribution of roles and perceptions, and the relationship between aesthetics, ethics, and politics. Through Rancière's lens, the essay delves into the film's imagery, emphasizing the importance of critical art in transforming the spectator into an active participant in society.	en
dc.format	application/pdf
dc.relation.ispartof	Intracom, 2024
dc.rights	Attribution-NonCommercial-ShareAlike 4.0 International
dc.rights.uri	https://creativecommons.org/licenses/by-nc-sa/4.0/
dc.subject.classification	14 - Sistemes i punts de vista filosòfics
dc.subject.classification	77 - Fotografia. Cinematografia
dc.subject.other	14 - Philosophical systems and points of view
dc.subject.other	77 - Photography and similar processes
dc.title	The Aesthetics of Social Class in La Grande Bellezza	en
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Article
dc.date.updated	2025-01-30T15:59:32Z
dc.rights.accessRights	info:eu-repo/semantics/openAccess
dc.identifier.doi	https://doi.org/https://doi.org/10.61283/nqgnmb72